tag:blogger.com,1999:blog-23029122486651666592024-03-14T06:25:17.662+01:00Michel Valprémy, écrivain1947 - 2007dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.comBlogger284125tag:blogger.com,1999:blog-2302912248665166659.post-41315804050685671262013-07-27T12:17:00.003+02:002022-04-05T23:33:29.305+02:00« COMPOST » de MICHEL VALPREMY<div class="separator" style="clear: both; text-align: left;">Editions <i>Les Contemporains favoris</i></div>
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Collection <i>Œuvres Complètes</i></div>
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<b>Avec une préface de François Huglo et un dossier</b><br />
<b>comprenant bibliographies, critiques, témoignages...</b><br />
<b><br /></b><i>500 p. - ISBN : </i>978-2909140100 - 24 €<br />
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Michel Valprémy (1947-2007) fut danseur à l’opéra de Bordeaux puis
professeur de danse ; mais il fut aussi un écrivain et un poète apprécié
par ses "contemporains". Il a publié une vingtaine d’ouvrages, ensemble auquel il faudra
désormais ajouter cette SOMME DE 500 PAGES qui rassemble ses écrits et
ses dessins INEDITS ou INTROUVABLES. La prose poétique de Valprémy est
tour à tour sensuelle et baroque, cruelle et cocasse, elle ne laisse
jamais indifférent. Valprémy maîtrisait aussi à merveille l'art de la
nouvelle (il a commencé à publier dans la revue Minuit). Quant aux
dessins (100 pages d’illustrations), voici un aperçu de la série des "bittus"...<br />
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<span class="userContent"><span class="text_exposed_show"> </span></span><span class="userContent"><span class="text_exposed_show"> <i><span style="color: #cc0000;"><b>24 €</b></span> pour un
volume de 500 p. plutôt luxueux (frais de port compris) </i></span></span></div>
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<span style="color: #990000; font-size: large;"><b>EXTRAITS</b></span></div>
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<span style="font-size: large;"><b><span style="font-family: "garamond";">Un désert</span></b></span></div>
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<span style="font-family: "garamond"; font-size: small;">Il y a des alligators, desséchés
sur la route des alligators sans mouches vertes sans asticots sans odeur il y a
des alligators et de la poudre d'os la route n'est pas une route ni un sentier
ni une autoroute large et bleutée il n'y a pas de grands panneaux zébrés de
feux multicolores de pylônes pas le moindre fil électrique pas la moindre
balise on chercherait en vain une présence un quidam égaré un sourcier une
fillette punie un ermite agenouillé il n'y a que des pierres et du sable un
silence qu'aucun souffle ne blesse c'est le même silence depuis toujours,
depuis le départ depuis la première borne il y a de la poudre d'os et des becs
d'oiseaux des ongles et des dents aucune corne aucune défense c'est un désert
sans aventure sans promesse on y vient pour regretter la mousse et la piqûre
des fourmis pour regretter les libations dominicales, l’eau des mares le sourire
des promises on y vient pour oublier la foule et les affiches pour se souvenir
des haies d'un passage dans le bois</span></div>
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<span style="font-size: large;"><b><span style="font-family: "garamond";">Un dessert posthume</span></b></span></div>
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<span style="font-family: "garamond"; font-size: small;">« Qu'est-ce que
tu m'as porté ? » J'ai oublié l'anniversaire du petit.</span></div>
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<span style="font-family: "garamond"; font-size: small;">Le lit mortuaire est
dressé dans la salle à manger dont on a fermé les volets. On déjeunera
« comme on pourra » dans la cuisine contigüe. La veuve implore :
« On ne change pas les assiettes, on n'aura pas le temps de tout ranger
avant la levée du corps. » En toute hâte, je vais acheter des bougies
bleues. La même boîte sert à décorer le gâteau et à maintenir au chevet du pépé
une clarté vacillante qui projette sur le mur le profil animé d'un visage roide
et crispé.</span></div>
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<span style="font-family: "garamond"; font-size: small;">On a retrouvé, la
veille, le pépé effondré sur ses paniers de pommes blettes, un marteau à la
main, les vêtements trempés par la piquette qui s'était écoulée de la barrique
débondée. On ne sait pas encore depuis combien d'heures, de jours, il gisait
là. Les voisins ont averti la famille partie en vacances automnales. Seul, il
gardait la quincaillerie.</span></div>
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<span style="font-family: "garamond"; font-size: small;">— Tu as pensé au
désodorisant ? On sait jamais, si ça sent !</span></div>
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<span style="font-family: "garamond"; font-size: small;">On prend l'apéritif,
avec une grande discrétion il est vrai. La fille de la mercière, un peu
troublée, des sanglots dans la gorge, offre gravement un paquet enrubanné au
petit et, d'un air enjoué, vocalise à la cantonade : « Je vous
souhaite mes joyeuses condoléances ! » On échange quelques regards
d'indulgence et de pâles sourires prudents.</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">Tout le monde passe à
table. Une place reste vide. Le potage est refusé avec dignité et affectation
par la plupart. On ne peut rien avaler quand on souffre et l'on se doit de
souffrir plus que son voisin. Le silence est interrompu par des bruits
intempestifs de déglutition. Un affamé.</span></div>
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<span style="font-family: "garamond"; font-size: small;">Des coups à la porte.
« C'est pour la mise en bière ! » Une bouffée de fraîcheur
mousse dans la pièce. On éloigne le petit. Les ascètes volent une rondelle de
saucisson, finissent goulûment leur verre, la mine contrite.</span></div>
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Sur le mur, le pépé tremblote encore. La mémé a demandé un sursis de
quelques heures. Elle répète inlassablement : « Grand changement de
l'hiver au printemps ! » Peu importent les saisons.</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">Le sillage parfumé du
pâté maison entraîne les premières marques de satisfaction. Mais on ne cesse de
gémir.</span></div>
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<span style="font-family: "garamond"; font-size: small;">— Lui qui l'aimait
tant ! — Il lui aurait fait un sort ! — Fallait pas lui en
promettre ! — Ce sont ses truffes. Il marchait bien mal, pauvre vieux,
mais pour ça il avait des ailes ! — Une fois, la truie l'avait
renversé !</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">On exhume des
souvenirs légers, à voix basse, en s'excusant un peu.</span></div>
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<span style="font-family: "garamond"; font-size: small;">— Non, pas le
pilon ! — Pour la peau, je suis preneur ! — Moi, le croupion !</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">On gomme les colères,
les disputes des fins de repas bien arrosés.</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">— Tiens, je reprends
des petits pois, c'est pas parce que... — Qu'il faut se laisser...</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">Puis, les anecdotes
s'étoffent avec moins de réserve. Le ton s'élève. On conteste les dates, les
lieux, les paroles. Chacun soigne son rôle auprès du défunt : confiance,
soutien, affection, complicité.</span></div>
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<span style="font-family: "garamond"; font-size: small;">— C'est qu'il était
pas commode le pépé ! — Tais-toi et sers le vin ! L'autre bouteille,
elle est meilleure !</span></div>
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<span style="font-family: "garamond"; font-size: small;">Le gamin, trop
délaissé, martèle la table de ses poings : « De la piquette ! De
la piquette ! » Il n'y en a plus. La grand-mère colore son verre
d'eau d'un filet de grenadine. Rien n'y fait. Crispations. Menaces. Larmes. Fessée.</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">— Bon
anniversaire !</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">L'aîné des petit fils
prend son cousin sur ses genoux, le console. Puis, sans hésiter, très calme,
avec un rien de provocation et malgré les soupirs de réprobation, il lui
explique ce qui se passe autour de lui.</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">— Mais alors le pépé
il dort pas ? — Il faut finir le canard ! L'enfant retrouve ses
jouets neufs, chantonne un air informe.</span></div>
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">Personne n'ose plus
le faire taire. Mais le grand cousin n'en reste pas là ; il propose une
dégustation de vin vieux, celui de la grande année. Mimiques d'acceptation. On
savoure, les langues claquent, on se ressert, on papote.</span></div>
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<span style="font-family: "garamond"; font-size: small;">— Pour ça, il était
radin ! — Une tête de mule ! — Un caractère de cochon ! — Ce
n'était pas un saint, mais il avait bon cœur... — Avec ses vaches, pour
sûr !</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">Le plancher du
premier étage craque. Le silence retombe aussitôt. Seul l'enfant continue de
fredonner. On repose les verres, on ne mastique plus. De nouveau, les yeux se
mouillent, les cernes se creusent. Tous fixent le haut de l'escalier. Elle
paraît, sa fille habillée de deuil, pâle, un peu chancelante et, parce que ses
gestes dénués de tout artifice reflètent, dans la variété des grimaces des
abonnés du crêpe, une douleur réservée, forcément sincère on pourrait, comme au
théâtre, applaudir. C'est la déconfiture des pleureuses officielles.</span></div>
<div style="text-align: justify; text-indent: 27pt;">
<span style="font-family: "garamond"; font-size: small;">Le petit souffle le
gâteau. On porte la crème fouettée.</span></div>
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<span style="font-family: "garamond"; font-size: small;">— Ce goût ! Tu
n'as jamais voulu me donner ta recette.</span></div>
<span style="font-family: "garamond"; font-size: small;">Par un
battant entrouvert de la porte de la salle à manger, la grand-mère aperçoit
l'enfant qui s'emploie à barbouiller le pépé de pâte fondante. Elle hurle,
s'étouffe, crache et son dentier tombe dans l'assiette fleurie, véritable
porcelaine de Limoges, entre un éclat de truffe et les reliefs d'un aileron de
canard. C'est un fou rire général. Les visages simiesques, déformés par trop
d'application à la souffrance, connaissent un séisme de force 7, les pommettes
blêmes s'empourprent, les bajoues s'agitent en vagues successives. La lèvre
supérieure outrageusement amincie et rentrée la veuve rit à l'unisson.</span><br />
<br />
<br />
<div align="center" style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "garamond";">Comedia</span></b></span></div>
<div align="center" style="text-align: center;">
<br /></div>
<br />
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">Les horloges des hommes battent
la chamade. Il a déposé son fardeau. Dans la foule, les plus endurcis, des
miliciens, une demi-douzaine de marâtres cruelles, un roi du bistouri, le
bourreau des cœurs, le tueur des abattoirs et ses robustes compagnes versent
une larme ou mordent leur langue. </span></div>
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">Ses épaules souffrent encore
mille morts, une telle fatigue n'est pas mesurable. </span></div>
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">Les matières dures, résistantes,
les outils lui font horreur. Pour bâtir son abri, il collectionne les pelures
d'orange, la mue des couleuvres. Il ne soulève que plumes de corbeaux et de
geais — les noires, les bleues, les bleu noir —, fétus de paille — l'avoine
surtout —, brins de laine ou touffes de poils ; trois lys en bouquet lui cassent
l'échine. </span></div>
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">En guise de litière, il choisit
des boues molles, des vases émollientes. Il dort souvent, vingt-trois heures
sur vingt-quatre, plus que le chat très sommeilleux. </span></div>
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">Parfois, des images anciennes,
des turbulences saugrenues troublent sa léthargie; fils prodigue ou spectre
d'une rose, quelque ballerino bande un arc invisible, bondit sur des balcons en
trompe-l’œil, imite le cygne ou le chasseur d'amour éperdu. Le zapateado
ébranle les lustres. Au jour le jour, la frénésie gâte l'os. </span></div>
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">Les visages des songes
s'estompent. Des gestes précis, sans conséquence, persistent: un index
interrogateur, des signes d'appel et de luttes (mille gifles à la minute), une
main au cul. </span></div>
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">Ses muscles ont fondu, la peau
est une éponge usée.</span></div>
<div style="text-align: justify;">
<span style="font-family: "garamond"; font-size: small;">Quant au sexe, maltraité à point nommé,
il n'a plus osé le moindre redressement fatal.</span></div>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-83070667476331810312012-12-12T21:55:00.001+01:002012-12-30T11:44:30.881+01:00L'instant crucial ou La mouche du lait<i>Michel Valprémy</i><br />
<br />
<div style="text-align: right;">
<span style="font-family: inherit;"><span style="font-size: small;">à Martin</span></span></div>
<div style="text-align: right;">
<span style="font-family: inherit;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: right;">
<i><span style="font-family: inherit;"><span style="font-size: small;">Le désert est entre nous et je vois à travers le camp.</span></span></i></div>
<div style="text-align: right;">
<span style="font-family: inherit;"><span style="font-size: small;">Luc Lauras</span></span></div>
<div style="text-align: right;">
<span style="font-family: inherit;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: right;">
<i><span style="font-family: inherit;"><span style="font-size: small;">il saignait l'ecce homo du jardin des désespérides</span></span></i></div>
<div style="text-align: right;">
<span style="font-family: inherit;"><span style="font-size: small;">Francis Giraudet, <i>Echidna</i></span></span></div>
<div style="text-align: right;">
<br /></div>
<div style="text-align: left;">
<br /></div>
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<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">On dit — mais la parole
des hommes pue comme la chiasse d’un vieil éthylique — , on dit qu’ici,
parfois, au pied de la croix, loin du trafic de la cité, des marchés, des
loteries, loin des duos amoureux, des pépiements joyeux et vains, un grand
vent bariolé souffle sur le crâne des demi-morts et défrise les boucles
parfumées des mouflets.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Les enfants, qui
connaissent sur le bout du doigt la bonté de l’épine et se jouent de la
trahison de l’eau, s’ennuient comme le redoublant du cours de catéchisme; Barrabas
ne peut plus perdre, Judas mourra sans pardon, sans un ami pour scier la
branche.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">La mémoire des quasi-spectres,
déjà molle et visqueuse — la diarrhée susdite ou le lait qui tourne et vire au
vert — , coagule soudain, non moins que l’œil d’un gamin grimpé sur les chevaux
de bois, œil qui, de la foule encombrant la place en fête, ne retient, quand
le galop du manège brouille le paysage, que la flamme rouge du manteau de la
fée des beaux quartiers.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Oh! ces deux apôtres, toujours à se tripoter l’attirail!</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Au pays des fourmis, le chas de l’aiguille est une mappemonde
creuse. Enfile la corde lissse du gymnase, la corde à nœuds, celle du riche
pendu, cousu d’or, pas heureux! Enfile les lianes des forêts, la natte à trois
brins, des gerbes de fleurs, de blé, le filin du nombril! Tout y passe si tu
mouilles, les colonnes, les fûts, les drapeaux tricolores, les croix!</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Facile bonhomme, cent caravanes à deux bosses ont frayé le
chemin!</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>A l’envers, à l’endroit, l’épave du square roule ses pouces;
des rogatons de chou fleurissent sa moustache. Ne donne pas ton front à biser
et saute la flaque du vomi! Les étoiles, pour lui, n’ont rien porté, les
étoiles, la chance, le petit bonheur.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Mouche ton nez! Des deux écluses coule le lait. Ton doigt
tranche la morve — une liqueur caillée — comme un canif la moelle cuite! Dis
bonjour à la jolie dame!</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Il y a donc, ici ou
ailleurs, une pierre levée, un marbre commémoratif, des réclames de mort mille
et mille fois embrassées, pourléchées, patouillées, des Madones en écoinçon,
des libertés callipyges l’étendard sur le flanc, une foultitude de croix,
primitives ou tarabiscotées, lustrées ou suintantes, baveuses — l’or en sauce —
, des croix porte-bonheur autour du cou des bébés, au fond des poches des crapules,
sous les oreillers des bambocheurs, des grabataires, des croix géantes plus
hautes qu’un séquoia, des croix enguirlandées, phosphorescentes, décapitées
par le brouillard, trempées jusqu’à la sève, perdues et pleurées, des croix en
plein zénith, des croix du bout de la nuit.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Trois génuflexions, une
casquette vivement soulevée, quelques marmottements au plus pressé, et ce signe
qui, en quatre tapes judicieusement réparties sur le front, la poitrine, les
épaules, découpe le corps suivant le tracé du battant meneau et des petits
bois — la croisée — d’une fenêtre, sans pour autant y insufler la moindre
transparence, tout cet ensemble de rites ne peut à l’instant crucial, alors que
le vent n’est que brise insipide, faire office de point de départ, de ligne de
conduite, de degré d’évolution si on n’y adjoint pas nécessairement un zéro
en chiffre.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>On reprend au début, quand je m’agenouille. Ton pansement en
x, en +, en croix, s’effiloche. C’est sali rouge au milieu, marron foncé au
milieu du milieu. Une puce a sauté sur la rose.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>La vitre est un pré dans le triangle de tes cuisses de héron.
Je couche sur la buée, mes cheveux à ton nid. Tu rêves et durcis l’outil. Je
suis ton rhinocéros, la licorne qui s’ennuie.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Le mur trop blanc avale le silence. Je sème la virgule, des
trémas par centaines, l’angle aigu du brabant, le chapeau pointu turlututu,
les yeux en O de Toto. Tu peins déjà le temps vieilli, l’épluchure de la
patate, la crotte, l’os brisé, la mort aux cils boueux et, ton sur ton, pour la
beauté du geste, la peur des abeilles et du calcul mental.</i><a href="http://www.blogger.com/blogger.g?blogID=2302912248665166659#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"></span></a><i> </i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Sérieusement, entendit-on
jamais les pets des séraphins, fussent-ils, eux aussi, en coliques? Entendit-on
jamais du démon la fourche brinquebalante? Non, rien, ou peut-être, encore
faudrait-il le prouver, devina-t-on un vague sifflement qui tenait de la scie
musicale, du gargouillement d’une lessiveuse en ébullition, et qui, en tout
cas, ne nous renseignait que pauvrement sur la destinée de nos méfaits anciens.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Sous la visière des
paupières closes, des étincelles cruciformes flottent, la nuit, en amont du
songe<a href="http://www.blogger.com/blogger.g?blogID=2302912248665166659#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"></span></a>. Ce ne sont pas les
mouches du jeûne ou celles du retour de couches des mamans neuves, les mouches
du vertige tout en haut de l’échelle, ce ne sont pas les trente-six chandelles
des gnons sous le préau. Venues en peloton serré de l’humus des ténèbres — nul
esprit éploré ne les commande —, elles trottinent, clignotent, folâtrent, font
la nique au rêveur immobile qui, malgré lui, s’unit à la danse mathématique
et baroque et accepte sans effort, sans sueur, de croire que, derrière le
rideau, de l’autre côté, un éden volatil l’espère depuis toujours.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Quand le drap et l’étal du
boucher ne font qu’un, quand, au grand clandé des mouillures, la viande étreint
la viande, un remous crémeux nous aspire - rarement, il est vrai , nous trempe
dans un bouillon de cellophane où se disloquent, un instant trop bref,
l’écorce - la peau de bouc -, les viscères et jusqu’à l’empreinte de nos
regrets, de nos triomphes.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Bon qu’à bouffer du foin, de la bouse en sachet! Tu gobes les
mouches, deux et deux font cinq, trois corners égalent un pénalty</i><a href="http://www.blogger.com/blogger.g?blogID=2302912248665166659#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"></span></a><i>, l’âme des anges est une colombe immaculée, un agneau
nouveau-né, un buvard de rentrée. Les promesses, mon bel âne sans bonnet,
valent que dalle, une feuille de persil dans du papier de soie.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Pince-moi! Le cambouis du ciel barbouille la lune. Ton coton
sous ma main — à la touffe, à la poigne — brûle et brille plus que la pierre de
feu, que l’étoile incendiaire. Ecorche les croûtes de mon genou, respire, la
bougie décrasse la nuit.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Toi, je sais, d’un seul doigt levé tu éteins le soleil.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Il suffit, paraît-il, d’un
esprit innocent — et d’une volonté de fer — pour que, infailliblement, surfleurissent
les cerisiers, pour qu’un piquet de vigne bourgeonne le jour de Sainte
Catherine Labouré; et que dire de l’emphase d’alpha et d’oméga quand une
couronne de lis égaye l’érection maussade des poteaux télégraphiques? La
réponse ne tombe pas toute rôtie du ciel, même si le parafe d’un oiseau vient
jeter le trouble dans sa neutralité laiteuse.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">En outre, il est de
notoriété publique que, glissée dans la musette du facteur, la plume du corbeau
chamboule l’harmonie crispée des hameaux. Faut-il attendre la fin du film, de
l’enquête pour qu’un soupçon de lumière caresse le seuil des maisons
interdites et défroisse le visage renfrogné des centenaires qui, pourtant,
jusqu’ici en avaient vu bien d’autres?</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Le velours rouge des fauteuils sent le FLY-TOX. Muet le
moustachu à la canne! Les quatre pattes en l’air le petit et le gros!</i><a href="http://www.blogger.com/blogger.g?blogID=2302912248665166659#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"></span></a><i> L’écran blanc est percé, je vois le noir derrière le noir.
Ouvre les yeux quand tu m’embrasses. Là-bas, leurs baisers font peur. On dirait
des aveugles qui ont faim.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Fais-moi le coup des fausses batailles: le deuil, les mariés,
l’aile de ta corneille, les plumes de mon cygne, ta verrue, ma dent et, au
meilleur du combat, le goudron dans l’eau.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Pour qui, devant la croix,
baisse la tête — piété, imitation, simagrée — et constate l’usure fatale de
ses souliers, le sol, qu’il soit carrelé, herbu ou caillouteux, recèle plus de
mystère qu’une carte d’astrologue. La diagonale parfaite et accidentelle d’une
brindille sur la dalle du pavement, les craquelures d’une glaise assoiffée,
le sable, la poussière, l’éclat d’un silex, le spectre d’une feuille rendront,
bien des années plus tard, témoignage à la mélancolie, à l’ennui profond, à la
confusion du cœur.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Si, par une négligence
rarissime, la minute de silence cérémoniel dépasse les soixante secondes orthodoxes,
des images incongrues en un tel moment, un tel paysage, déferlent entre les
jambes des fidèles ou, comme des moules de bouchot, s’incrustent une à une sur
les chevilles œdémateuses des bigotes. Le regard révulsé, une tricheuse du premier
plan fixe les hanches du crucifié, furète parmi les plis et les godets du
pagne pour apprécier la dimension occulte du chibre messianique. Et ce
minuscule bouquet d’œillets du poète qu’une main inconnue a lancé par-dessus le
grillage d’un calvaire rappelle au quidam, par le truchement d’une décoration
florale sur le papier peint d’un lieu d’aisance, le souvenir abject d’une
défécation douloureuse.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Deux gamins séparés par un
désert de lainage, de cotonnade, de taffetas n’entendent ni les gémissements
des morts pour la patrie ni le crissement du fer dans la plèvre du fils de
l’homme. Ils grattent leur front, curent leur nez et, à hauteur des
martingales, d’un océan de croupes, leurs yeux en boules de loto se racontent
des histoires d’escapades où les fuyards abandonnent leurs habits de fête et
dénichent en riant un coin tranquille pour s’endormir tête-bêche, épuisés,
nus.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Le petit trépas des feuilles est mare sur les trottoirs,
prairie dans l’œil qui cligne. Ton lacet, j’te vois / j’te vois pas, joue à
l’aspic, au serpent farceur. Chut! L’arc-en-ciel repose et fume. Epingle les
mouches, j’te vois pas! Suce ma pastille, mon ongle noir, j’te vois! Amants, tu
dors à deux dans la couche des géants, tu frottes la peau sur la peau et je
mange ta lune. Amants, c’est on n’aime que moi et toi.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>A quatre mains creusons le gel. Un feu cuit en bas, une boule,
une taupe dorées.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">On peut s’en tenir à cette
immobilité ankylosante en attendant que rouillent les médailles des héros,
que s’allongent la bistouquette des putti grassouillets ou que pépites et
lingots prolifèrent comme monnaie-du-pape dans un jardin de curé. Tout
n’arrive-t-il pas dans la vie ardente et passionnée des saints, des
navigateurs, des justiciers, des amoureux tôt disparus? Les brochures à deux
sous, les incunables mités, in-folios et feuilles de chou, la paperasse des
greniers, des bibliothèques, les petits livres rouges, les bréviaires bleu
nuit plus nombreux que les poissons des mers et des rivières, que l’herbe des
verts pâturages, soulèvent des montages, mouillent les yeux de Margot ou, pour
le pire et le meilleur, d’une mouche à miel font un éléphant blanc. Les citrouilles
roulent carrosse, les sirènes avalent des stradivarius, une vierge pond sans
flétrissure, les despotes de tout poil tiennent le haut du pavé et la mort
éternellement proche lance sa faux à l’aveuglette dans des jardins sans
chausse-trappes.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Un cheveu rigole sur la peau du lait, l’anguille plisse la
vase du barrage. Il y a du sang sur ton col du dimanche, du vin sur la nappe,
un trou de cigarette, il y a des pâtés sur la page, des taches partout, n’importe
où, au plafond, dans les lits.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>T’es fort, tu dis ce que j’ai lu!</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Un bâillement, un petit
cri dans le silence compté, mesuré, une parole menue qui dit “Assez!” ou “C’est
long!” ou “Zut à vous tous!” et les fureurs parentales (postillons et doigts
crochus) promettent une nuit de placard, des bouffeurs de chair fraîche, des
tartines sans rien dessus et, le plus grave, un coucher à l’heure des poules.
Les tartufes font montre de leur indignation, une stupéfiante variété de grimaces
qui va de l’épouvante à l’indulgence rechignée, et profitent de l’intermède —
une aubaine — pour endiguer l’invasion d’une colonie de fourmis, réajuster une
gaine rebelle ou soulager un couillon comprimé.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Pâle comme une hostie, le
menton sur la poitrine, notre trublion — un saltinbanque prodige — fait mine
de se repentir (on tue les vipères) et ces cils plus fournis qu’un duvet
d’oisillon battent la mesure de sa prière. Alors le joli Sébastien percé de
flèches apaches, les rois mages suiveurs d’étoile, le Christophe passeur d’eau
répondent en cœur à l’appel. Un éternuement du tonnerre de Dieu pulvérise les
vitraux, les cloches, le cimetière, fait exploser le décorum, le bataclan, le
bordel et son train, efface aussi, miraculeusement, l’éclaboussure de glaise
sur la socquette blanche, un caca qui a tout gâché, tout abîmé quand, au
matin, le monde entier paraissait si propre, si pur qu’on eût dit un immense
lac de lait.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Ding dong. Le glas dans l’air si chaud, les mouchent sucent le
vinaigre et capotent sur le dos. Un macchabée mouille dans sa caisse, les
glaçons ont fondu. Sous l’if, l’été écorche le marbre et les bas gris des
pleureuses. P’tit mec, les perles parme des couronnes sont un bijou tragique —
j’irai plus vite que la pie! Dimanche, maman, promis, on dépouille les
miroirs, on brûle les linges souillés, tout ce qui pue, les aïe!, les ça fait
mal?, les ombres.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">On ne gagne pas à tous les
coups. Celui qui jette la boule et manque son but (espoir dévoyé, biceps
endolori) rit avec les moqueurs et pleure seul dans sa cave. Les bonbons ont
traîné de frairie en frairie,<a href="http://www.blogger.com/blogger.g?blogID=2302912248665166659#_ftn5" name="_ftnref5" title=""><span class="MsoFootnoteReference"></span></a> ils ont goût de rance, de moisi. Quand s’arrête
le manège, la fée des beaux quartiers n’est plus qu’une couleur parmi d’autres.
Jésus, le pauvre bougre, trop faible, ne dit ni oui ni non.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Sous le porche, les
papotages, les interrogations courtoises ou pincées, les rouspétances des
ronchonnots qui changent une vasque d’eau bénite en mirage anisé, toute cette
rhapsodie du babillage, trémolos, rires en pizzicati, roulades et
gloussements, messes basses, imitent à la perfection — on s’y croirait — le
zézaiement des mouches qui lentement agonisent sur le papier huilé
tirebouchonnant dans une cuisine déserte. Tous savent, pour la plus large part,
que le pain et le vin accompagneront — c’est écrit — déjeuners fins et soupes
populaires; ceux qui, par mégarde, tireront la langue ou mangeront leur poing,
auront la décence de s’éloigner des lieux de ripaille, les sons inharmonieux de
leurs boyaux vides ne devant pas altérer l’équité canonique de la manne.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 33.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">La croix du bout du chemin
est un épouvantail nu, c’est simple comme bonjour, comme midi à midi et
quatorze à quatorze. On en restera là; sauf accident imprévu, les piquets de
vigne continueront de jouer les béquilles, rôle somme toute ordinaire mais peu
banal et, une fois l’an, les cerises orneront encore gentiment les oreilles
des divettes ou la pine des jouvenceaux et des gardes-chasse.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Tu claironnes plus haut que ton trou. Bois, cul sec, les
bières brunes, la vinasse de la mère Vévette, le guignolet, les fonds de
gnôle. Tes joues bleuissent, tu grandis trop vite. Fume la queue d’ail, le
costaud du bal dégobille pour un rien.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>Au banquet, dondons et dodues ont stocké leur lait, deux
outres sans rustine, et les miettes, les vermicelles plongeurs se faufilent
dans la fissure - lolos fendus, coupés net. T’es plat, raplapla, tout piqué,
moucheté; du son sous la croix d’or, un œuf de caille.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 34.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Un petiot saisit la main
d’un demi-mort, tous les chevaux rentrent à l’écurie.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 34.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 34.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Pris soudain d’une exaltation
peu commune, excepté chez les joyeux louftingues et les camelots, un gringalet
anonyme désorienté par le saint tintouin des hostilités feutrées, d’un seul
moulinet du poignet déracine le totem pour en charger ses épaules maigriottes.
A le suivre, le premier pas ne coûte qu’une infime déchirure du cartilage
iliaque, blessure qui interdit les escalades alpestres, les parties de
saute-mouton, les cancans endiablés, le branle de toutes les provinces et
modère — contre mauvaise fortune bon cœur — la haute voltige des dortoirs, de
la chambre nuptiale.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 34.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 34.3pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Où nous conduit-il? Une
ville éternelle, un jardin des supplices, le bistrot du coin, nulle part?
Est-il, vrai, initié au déchiffrement des logogryphes et des contrepèteries?
Est-il doué de la faculté de lire entre les lignes? Le vent lui murmure-t-il
des pornographies secrètes? Les feuilles de septembre sont-elles des
palimpsestes qu’il décrypte en moins de temps qu’il ne faut pour le dire, du
vert tendre originel au jaunissement fatal? Que sait-il du bleu archaïque, du
rouge venimeux? A-t-il — cette blague! —, pour oser montrer la voie unique,
poussé, au sortir du sexe de sa mère, un vivat sonore plein de ferveur précoce?
Enrôle-t-il des patrouilleurs pour rallier les brebis libertines? Enfin, dans
l’aspersion des salives, distingue-t-il le fiel et le désir d’amour?</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin-right: 2.3pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><i>L’escarbille — est-ce la poudre du crayon? — attaque la pulpe
bleue de l’œil. Tu souffles la mouche du lait, et, d’une prune ouverte qui sent
toujours le retour de messe, je croque le ver, l’élastique gras.</i></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span><br />
<div class="palatinojustifi" style="margin: 0cm 2.3pt 0.0001pt 28pt; text-align: justify; text-indent: 28pt;">
<br /></div>
<span style="font-family: inherit;"><span style="font-size: small;">
<i>Coupe, coupe, ça vient! tu
m’aimes encore si je saigne, si le flacon est plein ?</i></span></span>
<br />
<div style="mso-element: footnote-list;">
<br /></div>
<div style="mso-element: footnote-list;">
<br /></div>
<div style="mso-element: footnote-list;">
<span style="font-size: x-small;"><span style="font-family: inherit;"><i>Morceaux choisis (Les Contemporains favoris, novembre 1991</i></span></span></div>
dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-49170379043020891862012-12-12T21:28:00.000+01:002012-12-30T11:46:30.976+01:00Un cri dans le couloir (2)<i>Michel Valprémy</i><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-41V1cJmNmLQ/UMjoLIn0DZI/AAAAAAAAMxU/z8rxrxCvTb4/s1600/un+cri+dans+le+couloir+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-41V1cJmNmLQ/UMjoLIn0DZI/AAAAAAAAMxU/z8rxrxCvTb4/s200/un+cri+dans+le+couloir+1.jpg" width="136" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-ybB66PTIReU/UMjoL3jhh3I/AAAAAAAAMxc/D8Ff_gBs91o/s1600/un+cri+dans+le+couloir+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/-ybB66PTIReU/UMjoL3jhh3I/AAAAAAAAMxc/D8Ff_gBs91o/s200/un+cri+dans+le+couloir+2.jpg" width="135" /></a></div>
<br />
<span style="font-size: x-small;"><i>Avril 1985</i></span>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-58226822780479192192012-12-12T21:22:00.001+01:002012-12-30T11:46:53.709+01:00Vocation de l'obèse<i>Michel Valprémy</i><br />
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<span style="font-size: x-small;"><i>Inédit, juin 1985</i></span>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-56895727981852984982012-12-12T21:19:00.003+01:002012-12-30T11:47:26.913+01:00Sarazonie<i>Michel Valprémy</i><br />
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<span style="font-size: x-small;"><i>Inédit</i></span>,<i><span style="font-size: x-small;"> octobre 1983</span></i>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-61443551771312784392012-12-09T23:18:00.005+01:002012-12-30T11:47:46.301+01:00Vêture<i>Michel Valprémy</i><br />
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<br /></div>
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<span style="font-family: inherit;"><span style="font-size: small;">Dans la rue, je marche derrière lui, à trois mètre
de distance, à trois mètres au minimum. Je le fais volontiers, je ne vais pas
le contrarier pour si peu. Il y a longtemps que j’ai compris et je ne suis pas
responsable. Les passants me regardent, les passants me désirent ; c’est
plus fort qu’eux. Je vois leurs yeux exorbités, les grimaces jalouses ;
j’entends les insultes, les ricanements d’envie. Une fois, un jeune homme, lui
aussi d’une grande beauté, a craché sur ma poitrine. J’ai joué l’indifférent et
continué dignement mon chemin. J’étais désolé pour ma chemise, une imitation
satin hors de prix.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: small;">Je marche derrière lui mais, comme je le disais
plus haut, je ne suis pas dupe. Il m’affirme que ses épaules d’athlète, sa
taille bien marquée, ses fesses surtout, hautes, bombées, sont le plus beau
spectacle qui me soit donné de voir. J’opine, il sourit. On peut donc se
promener sans histoire, chacun à sa place, lui dans l’ignorance générale et moi
dans l’admiration du monde.</span></span></div>
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<br /></div>
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<br /></div>
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<i>2</i></div>
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<br /></div>
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<br /></div>
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<span style="font-family: inherit;"><span style="font-size: small;">Charlotte, il m'appelle. Charlotte quand je tarde
à choisir la bague qui me protègera des chiens de la nuit, quand j'hésite entre
foulard, étole ou châle, car, on ne se méfie jamais assez de la fraicheur des
soirées de juin.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">Il m'appelle Charlotte, il me donne d'autres noms
encore qui font penser à des femmes ordinaires, à des filles de mauvaises vies,
à des grues lascives, impudiques, des mots très gros, infâmants, qui ne font
que glisser sur moi ; je m'en voudrais d'ailleurs de les retenir.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: small;">Il ne m’appelle jamais David ou Eric, des noms
simples, courts, vite dits, faciles à prononcer, des noms qui ne sont pas le
mien, ni plus ni moins que Charlotte.</span></span></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal" style="text-align: center;">
<i>3</i></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: small;">II dit que je suis plus près de la tombe que du
sein de ma nourrice, que ça se voit à vue d'œil, deux fois plus que chez les
autres ; ainsi mon front ressemble au ventre des vieux maigres. Malgré la
buée, je sais que le miroir est souvent d'accord avec lui. Sans lever la main,
très courtois, il me demande de lui verser de l'argent, un pourboire en quelque
sorte, chaque fois que j'aunai mes chaleurs, chaque fois qu'il devra s'allonger
sur moi et entrer en besogne. J'accepte et, pour mettre fin au tremblement de
ses lèvres, à la tristesse de ses yeux, à cet air gêné qui me font mal, je lui
parle de mon nouveau tricot pain d'épice brodé d'épis en lamé or, une réussite
au dire de la voisine qui en a vu d'autres.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="font-size: x-small;"><i>LPDA n°86, mai 1986</i></span> </span></span></div>
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dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-36783668226452295342012-12-09T18:44:00.002+01:002012-12-30T11:48:39.182+01:00Sans Noms n°39 à 46<i>Michel Valprémy</i><br />
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<span style="font-family: inherit;"><i><span style="font-size: x-small;">Inédits</span></i></span>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-60672948791785926982012-11-25T23:18:00.002+01:002012-12-30T11:49:06.554+01:00Un bout de tôle, quatre citrons et une épine<i>Michel Valprémy</i><br />
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Un bout de tôle, quatre citrons et une épine.<br />
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<div class="MsoNormal" style="margin-left: 1.0cm; text-align: justify;">
(<span style="font-size: 10.0pt; mso-bidi-font-size: 12.0pt;">Je lus <i>dieu-tige</i>, je
me rappelle l’éblouissement, la volée de flèches. Je n’y reviens pas. Je tente
de transcrire ici les premiers impacts ; des notes mentales en quelque
sorte).</span></div>
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<br /></div>
<br />
Droit, le vers, si sec ─ « sec » est le vers ─, si droit. Colonne(s) de vers secs, de segments courts, la « tige » précisément, ou l’« épi », l’ « épine », le « dard ».<br />
<div class="MsoBlockText">
Et là, dans l’apparence, dans l’immédiate saisie, un
monde de rondeurs, de lignes courbes, de parenthèses et d’humidité.</div>
<div class="MsoBlockText">
Il écrit ─ on dirait ─ par retranchement. </div>
<div class="MsoBlockText">
Ou il vise juste. Il voit juste. La saisie est prompte,
radicale.</div>
<div class="MsoBlockText">
Il ne tresse pas, ne tortille pas, n’entortille pas. Pas
de surabondance, de saturation. </div>
<div class="MsoBlockText">
Quinte essence.</div>
<div class="MsoBlockText">
Il y a une impatience dans la note, un aplomb. Ceci est.</div>
<div class="MsoBlockText">
Il y a fébrilité. </div>
<div class="MsoBlockText">
Il ne creuse pas, il épingle.</div>
<div class="MsoBlockText">
On ne parlera pas d’orpaillage. Ce ne sont ni miettes, ni
tessons, mais un fil tendu, des fils (résille de sel).</div>
<div class="MsoBlockText">
D’où cette impression de claire-voie (entre les cils et
les roseaux) qui peut être du ton sur ton, soleil contre soleil, la nuit et sa
doublure, l’ombre de l’ombre.</div>
<div class="MsoBlockText">
On lit donc entre les fils, entre les lattes, entre les
vers.</div>
<div class="MsoBlockText">
Pas de totalité spatiale, mais une fragmentation, une
parcellisation qui par la répétition peut devenir sédimentation,
cristallisation.</div>
<div class="MsoBlockText">
L’encoche, l’encoche surtout, le très rare ornement.</div>
<div class="MsoBlockText">
L.-F.D. archer.</div>
<div class="MsoBlockText">
Pas d’exotisme colorié. Chacun porte son Afrique s’il est
resté l’enfant.</div>
<div class="MsoBlockText">
L’espace géographique est toujours celui du désir. </div>
<div class="MsoBlockText">
La bête est celle du désir.</div>
<div class="MsoBlockText">
Le bestiaire est nombreux.</div>
<div class="MsoBlockText">
Le désir est nombreux.</div>
<div class="MsoBlockText">
Il lui faut le sable, pas tout le sable, le grain, le
triangle des dunes.</div>
<div class="MsoBlockText">
La fleur donne son nom, juste son nom. Le mot savant est
exclu, le grand lexique, la rhétorique.</div>
<div class="MsoBlockText">
dieu sans majuscule porte tous les noms.</div>
<div class="MsoBlockText">
Le poème insoluble en lui-même.</div>
<div class="MsoBlockText">
Le poème irrésolu.</div>
<div class="MsoBlockText">
La répétition (tous les ciels), fait musique en des
suites et variations infinies. Poésie d’arpèges (fil de fer ─ on y revient ─
pincé).</div>
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Oui, sans cesse recommencer : c’est la probable
névralgie. C’est la tragédie.</div>
<div class="MsoBlockText">
Registre sensoriel d’une extrême pureté (rien en trop).</div>
<div class="MsoBlockText">
L’épine perce toujours la peau.</div>
<div class="MsoBlockText">
Erotisme élémentaire (il n’y a que dons). </div>
<div class="MsoBlockText">
Echange des corps en morceaux.</div>
<div class="MsoBlockText">
Tout brûle et coule et bat.</div>
<div class="MsoBlockText">
<br /></div>
<div class="MsoBlockText">
<span style="font-size: x-small;"><i>Diérèse n°28, hiver 2004/2005 </i></span></div>
dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-43967930691371114302012-11-25T22:41:00.001+01:002012-12-30T11:49:31.529+01:00Sans Noms 30 à 37<i>Michel Valprémy</i><br />
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<br />dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-23850003378852686982012-11-25T21:53:00.001+01:002012-12-30T11:49:54.786+01:00Testament n°7<i>Michel Valprémy</i><br />
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<div class="MsoNormal" style="text-align: right; text-indent: 153pt;">
<span style="font-size: small;">17 juin, jour de mes
47 ans</span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 153.0pt;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 18pt;">
<span style="font-family: inherit;"><span style="font-size: small;">J'avais l'intention, avant ma mort, de ne régler aucun des problèmes de
succession. Ma fortune est imposante, mes biens considérables, mes œuvres d'art
rares. Vous savez tout cela, mieux que moi peut-être, vos calculs sont faits.
Je souhaitais vous abandonner aux empoignades de l'héritage... et la souffrance
ne m'accordait que peu de répit... mais, ce matin, alors que je reposais, les
yeux clos (me crut-il à nouveau dans le coma ?), savourant encore les ultimes
battements de la vie en cette période de rémission que m'accorde la maladie,
j'entendis Georges, mon cousin préféré, murmurer à sa jeune femme : « Vraiment
ce n'est plus possible, ça pue ici ! c'est intenable ! J'espère que
c'est la dernière fois que je viens dans cette chambre 213. Il nous
empoisonnera jusqu'au bout ! »</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">Ne vous récriez pas ! ne l'accablez pas ! que n'ai-je enduré
dans ce que vous appeliez mes « pertes de conscience » ! Je n'ai plus tellement
de forces et, par à-coups rapproches, la douleur me brûle. J'attends les
piqûres (les dernières ?) qui me calmeront sans doute.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: small;">Je lègue donc :</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">A Marguerite, ma nièce, en qui j'avais mis l'espoir (et quelque argent,
bien sûr, comme à chacun de vous) non qu'elle me serve de bâton de vieillesse
mais qu'au hasard de ses visites elle m'entoure d'un secours tendre — on me
répéta qu'elle ne cessait de me reprocher et mon célibat et mon refus de la
paternité —, à ma nièce stérile (ce salaud de docteur me le confia comme une
tare familiale supplémentaire) mon manoir du Périgord le jour de la naissance
de son premier enfant.</span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 18pt;">
<span style="font-family: inherit;"><span style="font-size: small;">A mon cousin Georges qui déteste tant les mauvaises odeurs et qui, le
jour du repas des noces d'argent de mes bons parents, me traita de « sale pédale !
» au dessert, ma collection de tableaux (y compris le Cézanne qu'il admirait
tant) quand il avouera à toute la famille réunie que je le rencontrai à
plusieurs reprises rôdant, la nuit, près des vespasiennes du jardin public.
Nous eûmes un jeune amant commun. Il existe des lettres compromettantes.</span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 18pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Le mal se ramifie, mes doigts tremblent et je ne partirai pas,
vertueux, dans le pardon.</span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 18pt;">
<span style="font-family: inherit;"><span style="font-size: small;">A ma belle-sœur Irène qui ironisa tous les dimanches à l'heure de la
messe parce qu'elle me surprit une fois priant (et pleurant) sur un banc de
l'église Saint-Paul, la totalité de mes meubles quand elle aura parcouru dans
la plus grande ferveur, à genoux, le jour de Pâques le chemin de croix de
Lourdes, trois années consécutives. Amen !</span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 18pt;">
<span style="font-family: inherit;"><span style="font-size: small;">Aux jumeaux de mon frère Nestor (Dieu ait son âme, très chère Irène)
tout ce qui restera dans mes coffres après les trafics de l'Etat, en souvenir
de leurs disputes — tant de mes vitrines, de mes verreries vénitiennes furent
brisées — idéologiques et politiques (ils m'accusaient de n'être qu'un «
progressiste esthète ») quand, carte en main, ils adhéreront au même parti.</span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">Je me glace... tellement de douleurs et le sang sur l'oreiller.</span></span><br />
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<br />
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="font-size: x-small;"><i>Minuit n°45, éd. de Minuit, septembre 1981</i></span></span></span>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-75868452531338976912012-11-25T21:42:00.002+01:002012-12-30T11:50:17.178+01:00Sans Noms 23 à 29<i>Michel Valprémy</i><br />
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<span style="font-size: x-small;"><i>Inédits </i></span></div>
dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-64013068293803378432012-11-20T19:33:00.003+01:002012-12-30T11:50:36.360+01:00Flashes (peinture jaune et autres vues)<i>Michel Valprémy</i><br />
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<i style="mso-bidi-font-style: normal;">TANGER</i></div>
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<div class="MsoNormal">
<br /></div>
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<i>un ciel drapeau sur la chair bleue des créneaux</i></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>désert blanc message soleil le nectar d'une tubéreuse</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>orteils crasseux et paume creuse dans le fumet des tripes
fraîches la fragrance des verveines</i></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>(fable du marabout)</i></div>
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<i>c’est une colline qu’’on ne regarde que de loin – à
regards comptés – on ignore ce qui viendra (la foudre, le miracle) l’ère
portera le nom de la colline qu’on ne regarde que de loin toutes les machines
parleront on comptera nos sous</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>son rire invente l’émail il effeuille la menthe sur ma
langue dans l’odeur aïeule d’une huile brûlée je lèche sa cuisse épicée bois
l’eau de son coude la couverture bergère est une bonne paille on rampe sur nos
ombres les dalles cuisent l’os</i></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>entre terrasse et marché le trémail des ruelles il pleut le
ciel en damiers</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>ses deux béquilles en autel il prie – si loin La Mecque à cloche-pied</i></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>l’œil rasant le bâillon (encre en arabesque) femmes
accroupies au seuil des maisons meringuées vierges urbaines sourire absent</i></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal">
<i>éventail colorié des guenilles le soleil fossilise un
sillage de linges</i></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>grêle sur pattes d’oiseau une pièce pour porter trois
couffins de ripaille – l’étagère comblée on <span style="mso-spacerun: yes;"> </span>parle élégamment de régimes</i></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal">
<i>la peau du temps vibre c’est l’aube de la terre dans
l’orgie des tambours</i></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>de sa bouche coule un jus d’olives des mots d’abordage il
présente la figue et l’ambre soulève le coton bleu la blessure est intacte</i></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>après muezzin sur antennes T.V. les palmes zèbrent le
pisé somnolences des sieste au secours des pins des bougainvillées vers
l’horizon coton il médite ou ne pense plus</i></div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<br />
<blockquote class="tr_bq">
<i>chaque été mes sandales neuves</i><br />
<i>je cherchais un sentier digne</i><br />
<i>de mon chien</i></blockquote>
<br />
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<![endif]--><i style="mso-bidi-font-style: normal;"><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: FR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">1980, revu 1985, paru dans Rectangle n°7, juillet
1985</span></i><br />
<br />
<br />
<br />dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-73028639339989529122012-11-20T18:49:00.004+01:002012-12-30T11:51:04.251+01:00Tabacs<i>Michel Valprémy</i><br />
<br />
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<br />
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1</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
fleur de hasch je creuse ta bouche tu larmes une bulle de
licences (savoir trempé, multicolère) un orchestre falsifié bégaie la peine je
lape ta morve quelques restes liquides (coca-cola) sur ma langue les mots
s’encornent</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
2</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
tout s’use on vieillira sous des montagnes de solde je
marche œil albumen pieds spongieux sur des passerelles vermoulues s’écaillent
les mouettes les petits enfants et nos anciens désirs</div>
<div class="MsoNormal" style="text-align: justify;">
le soir à l’abri des palmes — plus de cages, d’interdits
mineurs, de discours ammoniacs — on avance à flots (sans se tenir) avec des
fibres inventées le rêve s’incruste dans l’orbe du tabac — pilules fondante,
onguents miellés</div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
3</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: right;">
<i>à Claudine</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
passacaille et ratamouille obélisque des grands fonds
envergogne et zigzotant sirop de tous les diables ---------- ah ! mes
perfusions de bazar ---------- peut-être ouais mais quel trip toutes seringues
abolies en désorience et fichemolle</div>
<div class="MsoNormal" style="text-align: center;">
"Bof ça dépend où tu tiens ton piment ?"</div>
<div class="MsoNormal" style="text-align: justify;">
queue de rat et raplapla <span style="mso-spacerun: yes;"> </span>allons-y gayment dans l’alvéole des mistoufles
bordure du rédéda caille morte etcétéra ---------- on en verra de plus joviales
sous <span style="mso-spacerun: yes;"> </span>ton appel aux dieux farceurs je ne
te dis que ça : caracole la cornaline bijou de fou drop des fougères
---------- bon</div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
4</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: right;">
<i style="mso-bidi-font-style: normal;">A Francis C.</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
pancarte d’éden (les alizés au dépôt ?)</div>
<div class="MsoNormal" style="text-align: center;">
—O—</div>
<div class="MsoNormal" style="text-align: justify;">
chant des folles soprani belles libellules des loggias
foulards noués des endormies en ultima preghiera</div>
<div class="MsoNormal" style="text-align: justify;">
star des songes muets tu balbuties en libre arbitre un
programme de filles en mélanges (histoire d’y croire un peu)</div>
<div class="MsoNormal" style="text-align: justify;">
Larme de paille en colegram ces archives de la mémoire
l’illustration/les dégâts</div>
<div class="MsoNormal" style="text-align: center;">
(bouf ouf bouffi</div>
<div class="MsoNormal" style="text-align: center;">
le petit nombril)</div>
<div class="MsoNormal" style="text-align: justify;">
"T’es pâle, t’as les yeux mâchés, t’as la tête de
quelqu’un qui va dégueuler" parole d’inconverti on y reviendra au magma
sans permission en oubli petit tout petit pygmée sous les immeubles à ras
l’asphalte</div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
5</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: right;">
<i>à Claude</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
en langues lisse et râpues dans l’entrecuisse poissé —
odeurs nicotine — à petits coups ciguë sur la déhiscence du cul ---------- des
salves quel premier passage ? la large queue gorgée peut-être ----------
pour remède à l’absence je branle ma grenade ---------- dans les yeux — tout le
masque — ta semence en bouillie</div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
6</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
vermeil au centre de l’orange les mains claquent je pars en
zone fortuite avec vous nomades extérieurs (je dis tout et son peuple) je ne
décortique plus rien — ni le grain ni la pelure — je pars ailes au talon un
serpent fouit le combat est amène c’est une pluie de cendres dans ma tête
continue tambour le grand mouroir est là une chandelle/le ciel étoilé
(MAZZZZZDA)</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
7</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
tu insistes le regard caramel (rire roulade en éclats de
coquille, girouette des mains cassées) je te guette et ne fièvre sous les
parapluies des platanes Neptune des dauphins cracheurs je te guette et te
braise sur la place ambulante visage au font doré dans le ru d’une foule
surexposée</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
8</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
tout est foutu dès le départ le cerveau est un cimetière de
cellule usées un cordon pète</div>
<div class="MsoNormal" style="text-align: center;">
MAMAN !!!</div>
<div class="MsoNormal" style="text-align: justify;">
l’eau fugue les murs couvent des ombres lisses ta souris se
déglingue j’entends des clavecins (nocturnes en archipel) je suis un
garde-vivre des abeilles s’y cognent on dirait des chamailles dans un fouillis de
plumes ---------- il ne faut pas laisser la pipe refroidir</div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
9</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
blue star et pickpocket pub tête de lama œil arc-en-ciel
radotant Colombo café soluble affiches réclames bagues et bulles Hollywood un
soir de marasme tu voyageras autre camp semelle variée sur la fumée sacrée du
bâton ceylanais plane le sitar sirène d’exode ou chant cygne de l’homme broyé
ici dans la maison d’Europe</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: center;">
10</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
le taxiphone se tait les grues obscènes crèvent le ciel mon
désert est régal je vois des yeux glacés au fond du verre (je + x) le
ventilateur ne couvre de lierre on sue l’alcool le tabac nous écharpe GO ON mon
âme la voie n’a pas d’issue on a brisé les ( )</div>
<div class="MsoNormal" style="text-align: right;">
mégots à terre bout mâche</div>
<div class="MsoNormal" style="text-align: right;">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">1977/1980, revu 1985,
paru dans Rectangle n°7, juillet 1985</i></div>
dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-38020924105762907692012-11-20T17:37:00.001+01:002012-12-30T11:51:39.170+01:00Sans Noms 16 à 21<i>Michel valprémy</i><br />
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<span style="font-size: x-small;"><i>Inédits </i></span></div>
<br />dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-20961157311442437272012-11-20T17:17:00.001+01:002012-12-30T11:52:11.959+01:00DEPÔT sur le petit tas tiède des<i>Michel Valprémy</i><br />
<br />
<br />
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a chialé avec les (en dedans,
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<span style="font-size: x-small;"><i>Plein Chant n°78-79, hiver 2004/2005 </i></span></div>
dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-34825732473001833832012-11-10T00:37:00.004+01:002012-12-30T12:19:50.154+01:00Sans Noms : 08 à 14<i>Michel Valprémy</i><br />
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<br />dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-50337382627930040682012-11-09T21:19:00.002+01:002012-12-30T11:53:09.231+01:00Spécialités<i>Michel Valprémy</i><br />
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<div style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: small;">1. C’est spécial, ces gens qui s’en reviennent de la très belle
ville d’Angers, ces gens qui disent :<i> « Quelle belle ville
Angers ! Quelle belle ville ! Et propre ! On n’y voit pas un
seul Arabe ! »</i> Ces gens qui, à la nuit tombée, trimballent en
laisses d’argent quatre chiens de race pour encenser nos trottoirs, ces gens
qui sentent les tapisseries royales, l’orchidée de cinq heures et l’anus
mentholé.<br /><br />2. C’est spécial, cette fatigue des mamans dans le bus, des
mamans aimantes, des mamans de famille nombreuse. Comme leur regard change
quand un instant la famille s’assoupit, quand cessent les bagarres à grands
coups de petits drapeaux de chez <i>Mc Donald’s </i>! L’œil des mamans se
retire en dedans (est-ce l’oreille qui fait le guet ?) On n’y distingue
plus la moindre étoile, la moindre lueur. C’est une mer morte. Les mamans
dorment debout. De temps en temps, elles bâillent en dormant.</span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: small;">3. . C’est spécial, ces coupes au bol sur la tête des garçonnets.
Ce n’est ni beau ni laid, c’est une mode. Dans un autre temps, du temps de ma
jeunesse, cette coiffure de moine n’était pas prisée, elle couronnait un
pauvre, un pauvre bougre, un pauvre pauvre ou, peut-être, le premier du
catéchisme ; on s’en moquait. Aujourd’hui, c’est bien vu et personne ne
s’en plaint. C’est parce qu’ils sont nombreux.</span></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: small;">4. C’est spécial, ce souci mignard de l’homme des parures. La
splendeur du chat exige une queue basse et les trous abolis. Ne toussez pas,
Madame, j’en perdrais la raison.</span></span></div>
<div style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: small;"><br />5. C’est spécial, en automne, cette course aux romans, cette
foire. La saison (qui l’ignore ?) n’est pas propice aux feuilles vives. Le
roman, en automne, c’est comme les cèpes, les châtaignes, le vin bourru ;
une saveur passagère, une bonne chiasse.<br /><br />6. C’est spécial, les traductions dans les films en version
originale. Au <i>Jésus-Christ !</i> américain répond notre <i>Putain !</i><br /><i> </i><br />7. C’est spécial, ces ombres du voisinage qui meurent sans
crier gare, sans tambour ni trompette, ces ombres qu’on ne connaissait pas,
qu’on saluait parfois, toujours au même endroit, à la même heure, à la même
fenêtre, qui vieillissaient lentement sans doute, comme leurs murs, leur
paillasson. Eux partis, rien n’a bougé en nos usages et nous n’avons pas versé
une larme. Pourtant, ce matin, j’ai décrotté à grande eau mon devant de porte,
j’ai hardiment secoué mon paillasson et je ne me suis pas montré à ma fenêtre,
sur le coup de onze heures, pour guetter l’arrivée du facteur.<br /><br />8. C’est spécial et unique ce que me dit, au printemps 1973,
cette très belle femme qui est restée mon amie : <i>« Si tu me
l’avais demandé, je me serais couchée devant toi, sur le trottoir. »</i><br /><i> </i><br />9. C’est spécial, ces garçons qui ne savent pas ce qu’ils sont.
La main gracieusement posée sur l’épaule d’une jeune fille déjà conquise, ils vous
dévisagent (ils dévisagent l’homme en vous) avec des prunelles de plume, de
brume ou de silex. A votre tour, fixez cette main gracieuse sur l’épaule de la
jeune fille : aussitôt elle se retire, elle flotte un instant dans les
airs, avant de disparaître, en douceur, comme une invite, dans la poche
étroite, ventrale, pubienne d’un blue-jean.<br /><br />10. C’est spécial, cette manie de dévêtir, en pensée, tous ceux
qui dans leur comportement, dans leurs gestes, leurs discours, s’évertuent à
discréditer le corps, la chair. Prenons un exemple suprême, ma bête noire
favorite, ma tête de Turc, mon bouc émissaire, je veux parler du Pape. Le
Pape ? j’aime à l’imaginer, au bas de la passerelle de l’avion affrété
spécialement pour Sa Sainteté, à l’imaginer nu, à quatre pattes, car il baise
la terre qu’il foulera bientôt, dans cette position miraculeuse que les volumes
mis à l’Index exposent sous le joli nom de <i>levrette.</i><br /><i> </i><br />11. C’est spécial, l’égoïsme de certains, ceux qui vous
appellent chaque semaine, souvent deux et trois fois chaque semaine, pour vous
dire qu’ils ne vont pas bien, pas très bien, ou qu’ils vont mal, très mal, que
ça ne pourrait pas aller plus mal. Ils vous appellent, vous, parce qu’ils
savent que, pour vous, ça va toujours bien, que pour vous ça roule toujours
tout seul. Et vous savez bien, vous, vous le savez depuis toujours, que leurs
maux infernaux ne sont que tracas ordinaires. Vous écoutez. Mais il arrive que
vous souhaitiez renverser la vapeur, qu’à votre tour vous sonniez sérieusement
le tocsin. Votre problème, trois mots suffisent, illico réveille leur longue
lutte, leur chemin de croix avec toutes ces stations plus douloureuses les unes
que les autres. Vous, vous ne pouvez pas savoir. Vous fermez les vannes et
reprenez vos billes. Vous écoutez.<br /><br />12. C’est spécial, ces cuisinières qui, toute la matinée ont
mitonné une recette nouvelle et qui annoncent, au moment de passer le plat, un
peu inquiètes ou très sûres d’elles : <i>« Je ne sais pas ce que
c’est, mais ça sera comme ça sera ! »</i></span></span></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i>Le Cri d'Os n°2, 2è trim. 1993</i></div>
dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-55573790359193933272012-11-09T18:14:00.002+01:002012-12-30T12:20:35.488+01:00Sans Noms 05, 06, 07<i>Michel Valprémy</i><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-d-jqkJ1VYpQ/UJ05ir0hI9I/AAAAAAAAMmE/d2fW72nP9go/s1600/sans+nom+05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/-d-jqkJ1VYpQ/UJ05ir0hI9I/AAAAAAAAMmE/d2fW72nP9go/s200/sans+nom+05.jpg" width="136" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-SDpoxRv4izc/UJ05kBntTII/AAAAAAAAMmM/u6TzFHGNOuo/s1600/sans+nom+06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="217" src="http://3.bp.blogspot.com/-SDpoxRv4izc/UJ05kBntTII/AAAAAAAAMmM/u6TzFHGNOuo/s320/sans+nom+06.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-nVtX4KKQFSs/UJ05ldy1UJI/AAAAAAAAMmU/KBd8NYrLiw0/s1600/sans+nom+07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-nVtX4KKQFSs/UJ05ldy1UJI/AAAAAAAAMmU/KBd8NYrLiw0/s200/sans+nom+07.jpg" width="131" /></a></div>
<br />
<br />
<i>Inédits</i><br />
<br />dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-63396080070049999722012-11-09T18:00:00.001+01:002012-12-30T11:54:20.081+01:00Séparé<i>Michel Valprémy</i><br />
<br />
<div style="text-align: right;">
<i>à Cathy Rousseaux </i></div>
<br />
<br />
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A l'instant flou,</div>
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le corps repu des fatigues musculaires,</div>
<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
je me glisse dans l'air zébré (pluie d'obliques éparpillées),</div>
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aussi, claquées sur la
vitre</div>
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et les fleurs de la fille</div>
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aux yeux impairs, à l'autre coin de la surface
d'aggloméré.</div>
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Je m'abouche au café pour avaler nos peines.</div>
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Gencives cuites.</div>
<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
Epingles dardées contre les brûlures du rasoir.</div>
<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 99.0pt;">
L'observer, l'écorce
froide.</div>
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Mais
le cerveau aimant, à épier des solutions d'amour ; précipite.</div>
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"Au chemin des miroirs et des herbes
folles"</div>
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Roule l'image des vitres</div>
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bleues (taches des sulfates</div>
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contre la treille) brisées</div>
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de silex, cachées dans les</div>
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paquets d'orties.</div>
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Je me suis retourné jusqu'à l'origine.</div>
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Sur les souvenirs on écrit leur échec.</div>
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</span>age</div>
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J'ai perdu
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<span style="mso-spacerun: yes;">
</span>acle</div>
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Seuls valides, les flashes inattendus,</div>
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un crispement d'ailes</div>
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une odeur à ton ventre,</div>
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un œil fermé sur le sel…</div>
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La fille pleurait toujours, impossible secours,</div>
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<br /></div>
<div class="MsoNormal" style="line-height: 150%; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: 216.0pt;">
parti.</div>
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<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: right; text-indent: 216pt;">
<i>Inédit, 04 février 1975 </i></div>
dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-16571624448071584812012-11-05T19:18:00.000+01:002012-12-30T11:54:47.396+01:00Rails<i>Michel Valprémy</i><br />
<br />
<br />
<br />
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<br /></div>
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Qu’imagine celui qui part ? Des obstacles : alarme ou chocs.
Un saut.</div>
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QU'IL RESTE !</div>
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<br /></div>
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<br /></div>
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Les horloges ne rétrécissent plus leur course.</div>
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<br /></div>
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Sur le quai ils multiplient l'envers du temps.</div>
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<br /></div>
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La vitre du wagon, 1' allure-vertige du couperet.</div>
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<br /></div>
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La main se balance et conduit la vitesse.</div>
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<br /></div>
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Un train-ennemi.</div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
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On entendra les saccades des machines.</div>
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<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: x-small;"><i>Inédit, 14/04/1975</i></span></div>
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<![endif]-->dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-44489796729899608892012-11-05T19:10:00.001+01:002012-12-30T11:55:16.311+01:00Sans Nom 02<i>Michel Valprémy</i><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-x77253HEjxE/UJgAzlejEFI/AAAAAAAAMk8/g958-sl9RDM/s1600/sans+nom+02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-x77253HEjxE/UJgAzlejEFI/AAAAAAAAMk8/g958-sl9RDM/s200/sans+nom+02.jpg" width="132" /></a></div>
<br />
<br />
<span style="font-size: x-small;"><i>Verso n°34, juin 1985</i></span>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-52475148122512750272012-11-05T19:07:00.001+01:002012-12-30T11:58:09.008+01:00Sans Nom 01<i>Michel Valprémy</i><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-piqe0o_N9aA/UJf_8By7PAI/AAAAAAAAMk0/4S0KCgPyCP4/s1600/Sans+nom1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-piqe0o_N9aA/UJf_8By7PAI/AAAAAAAAMk0/4S0KCgPyCP4/s200/Sans+nom1.jpg" width="131" /></a></div>
<br />
<br />
<span style="font-size: x-small;"><i>Verso n°36, juillet 1985</i></span>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-75830229297498750852012-11-05T18:55:00.003+01:002012-12-30T11:58:33.724+01:00Qui s'en dédit<i>Michel Valprémy</i><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span>
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<br />
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Sentez-moi ça ! De très près, le porc sent le camphre quand il ne
sent presque plus, le camphre ou les boules de pétanque, des boules de bois
cerclées de rouge que l'ancien rémouleur, un eczémateux barbouillé d'iode, a
tripotées, retripotées du goûter au premier apéro. De près le porc sent la
petite pisse, une goutte par erreur ; n gros effort, un atchoum, une
trouille de rien du tout. De plus loin, d'un mètre ou deux, ça schlingue, ça pue
la chiasse, ça donne envie d'y aller, de s'enfermer dans les cabinets, là où
l'odeur ne s'évapore plus, lourde, grenue, où elle protège des saintes
Dégoûtées, des chichiteux savonnés au lilas, là où le plaisir, comme cent
vagues d'une marée d'argent (ce n'est parfois qu'un remous de velours) chahute
du trou aux orteils, du trou aux cheveux, ans un bruit de trompette et de pneu
crevé.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Splendeur des porcs bottés de tourbe, de fumier gras. Voyez-vous ces paillettes
invisibles, cet or ancien sur le purin ? </span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Splendeur des porcs dans la pénombre, ces dragées géantes sucées à
langue morte, sans appuyer, sans effacer le rosé, tout le rosé, la peau de
dessus, la première couche.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Les faux porcs, les cochons des chapelles et des palais, les cochons des
caves de douleur, galonnés, trop rouges ou trop gris, laids toujours avec le
temps, chaussés de brodequins cloutés, de cuirs polis comme des miroirs du
soir, ont des yeux (un seul peut suffire) d'arrière-pensée (le bleu ne fait pas
le bouquet), des yeux d'arrière-boutique où la viande des fils et filles de
l'ombre, des vieillards peu farouches est conspuée, taraudée, hachée menu, en
bloc, au détail, avant qu'un mot d'honnête traîtrise — on supporte ce qu'on
supporte — en un cri ne lâche le morceau, en un cri, en un souffle.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Les petits yeux de cochon de Staline. Les petits yeux cochons de
Staline. Les petits yeux du cochon Staline.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Jusqu'ici les porcs de basse-cour n'ont piétiné que des mousses, des
violettes, et dévoré, en douce, sous le fier châtaignier des dupes, quelque
truffe profonde.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Les porcs de basse-cour ont des reflets de nacre, d'aubépine, de vin
perdu dans l'eau.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Les porcs de basse-cour ne jalousent pas les obèses qui ne les aiment
guère, qui les maudissent quand sonne l'heure de la douche et du strip-tease.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Les porcs de basse-cour ne crachent que sur les Longs-Couteaux, les
Coupe-Jambon, sur les moutards à tire-lire et, machinalement, sur le buste et
la mémoire de monsieur René Descartes.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="letter-spacing: 1pt;">Les porcs de basse-cour sont nus, plus que nus, plus que tout, plus que toi
et moi, refroidis ensemble, sous les linges.</span></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 27pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="letter-spacing: 1pt;"><span style="font-family: inherit;"><span style="font-size: x-small;"><i>Verso n°73, "Cochon", 2è trim. 1993</i></span></span> </span></span></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-indent: 27.0pt;">
<br /></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none; text-indent: 27.0pt;">
<br /></div>
dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-41391273899408874522012-11-05T18:45:00.002+01:002012-12-30T11:58:55.813+01:00Pénitence<i>Michel Valprémy</i><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-lsbUmznYM44/UJf6-rd-hOI/AAAAAAAAMkc/i0xmzGzcyUs/s1600/P%C3%A9nitence.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-lsbUmznYM44/UJf6-rd-hOI/AAAAAAAAMkc/i0xmzGzcyUs/s200/P%C3%A9nitence.jpg" width="130" /></a></div>
<br />
<span style="font-size: x-small;"><i>Inédit, juin 1985</i></span>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0tag:blogger.com,1999:blog-2302912248665166659.post-57560724928918746602012-11-05T18:38:00.004+01:002012-12-30T11:59:22.406+01:00M'as-tu abandonné ?<i>Michel Valprémy</i><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-vsNnTI0DqGM/UJf5dIEvwwI/AAAAAAAAMkU/mWIrSIkX2xA/s1600/m%27as+tu+abandonn%C3%A9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://3.bp.blogspot.com/-vsNnTI0DqGM/UJf5dIEvwwI/AAAAAAAAMkU/mWIrSIkX2xA/s200/m%27as+tu+abandonn%C3%A9.jpg" width="153" /></a></div>
<br />
<br />
<span style="font-size: x-small;"><i>Inédit, octobre 1983</i></span>dmhttp://www.blogger.com/profile/01196487282887123713noreply@blogger.com0